Main sights
[edit]
Architecture[edit]
The Walls of Ávila[edit]
The Walls of Ávila.
The main landmark in the city is the imposing Walls of Ávila (11th–14th centuries), begun in 1090. The enclosed area is 31 hectares (77 acres) with a perimeter of 2,516 metres (2,752 yd), 88 blocks of semicircular towers, 2,500 merlons, curtain walls 3 m (9 ft 10 in) thick, with an average height of 12 m (39 ft), and 9 gates.
The walls represent the largest fully illuminated monument in the world. It is possible to walk upon the walls for roughly half their circumference. While some of the walls will never be walkable because of their integration into other structures, a large stretch has yet to be made safe for pedestrians.[citation needed]
Cathedral[edit]
Main article: Cathedral of Ávila
View of the Cathedral of Ávila
The construction of the iron-grey granite Gothic Cathedral of Ávila is said to have commenced in 1107 under Alvar Garcia de Estrella. Other historians believe the cathedral to be the work of the master mason Fruchel in the 12th century, coinciding with the repopulation of the town led by Raymond of Burgundy. The eastern apse, which forms part of the town walls, is half church, half fortress, and it was here that the loyal citizens elevated Alonso VII as their king, hence Ávila del Rey. The transept was finished in 1350 by Bishop Sancho de Ávila. The earlier Romanesque parts are made of a striking red-and-white "blood" limestone, while the Gothic parts were built with pure white stone.
Northern façade: Gothic style at left and added renaissance at right. Porch of the Apostles.
Western front: Burgundian style, with two towers forming a covered portal.
Interior: Latin cross with three naves, a crossing and ambulatory.
Capilla Mayor: Features a monumental altarpiece by Pedro Berruguete.
Chapel of San Segundo, the first bishop: Attached to a column of the cruise. Renaissance style.
Chapel of Santa Catalina: Made of alabaster.
Choir and Rood screen: Renaissance style, decorated with reliefs depicting scenes of saints, carved from limestone. The alabaster tomb of Alonso Tostado de Madrigal, bishop in 1499, shown in the act of writing is in the ambulatory: "so enlightened were his doctrines that they caused the blind to see".
Cloister: Access from the Romanesque cathedral by a door on the south aisle. Gothic style.
Basílica de San Vicente[edit]
Main article: San Vicente, Ávila
Basilica of San Vicente
Construction began in the 12th century and lasted until the 14th century. Its design is attributed to the French master Giral Fruchel, the author himself from the cathedral and pioneer of the Gothic style in Spain.
The overall structure is similar to the Latin basilicas. It has a Latin cross plan, three naves, dome, tribunes, three apses, atrium, two towers, and crypt.
All the façade and the environment where it is located are of great artistic value.
Interior: Latin cross room with three naves. The pillars are of a Greek cross with half columns on the heads.
Crypt: Consists of three chapels, for the three apses of the church are mainly romanesque and have the best capitals of the monument.
Highlight the tomb of Saint Peter of the Boat and, above all, the Cenotaph of the Holy Brothers Martyrs, the head of the temple, Saint Vincent of Ávila, and her sisters, along with the torture he suffered in the 4th century, Saint Sabina and Saint Cristeta, (Cenotafio de los santos Vicente, Sabina y Cristeta), one of the most important works of Romanesque sculpture in Spain.
Convento de San José[edit]
Main article: Convento de San José (Ávila)
Convento de San José
The Convent of Saint Joseph is the first monastery of Discalced Carmelite nuns founded by Saint Teresa of Jesus. The convent was built in the year of 1562, although the most important architectural element, the church, was built in 1607. The church was designed by the architect Francisco de Mora (1553–1610). It has been designated a national monument since 1968.
Iglesia de San Pedro[edit]
Start date: about 1100.
The church of Saint Peter is located outside the town walls in the Plaza de Mercado Grande at the door of the Alcazar. Presents analogous with that of San Vicente.
Latin cross floor and three naves of five sections. Apsidal chapels: mayor chapel, chapel of the south apse and chapel of the north apse.
Ermita de San Segundo[edit]
Torreón de los Guzmanes [es]
Santuario de Nuestra Señora de Sonsoles
A hermitage located to the west of Ávila, outside the town walls, on the right bank of the Adaja river. It highlights the sculpted capitals in which the sculptor is the footprint of the apse of San Andrés. Alabaster statues were made by Juan de Juni. Popular belief has it that, on introducing a handkerchief into the tomb and asking for three wishes, the saint will grant one. His pilgrimage is celebrated on 2 May, Segundo being the patron saint of Ávila.
Palacio de Don Diego del Águila[edit]
This 16th-century palace is located inside the walls and attached to it as junt walk through the door of San Vicente, defended the access of Muslim troops.[clarification needed] Located on a busy street by different arms of the Águila family.[clarification needed]
Real Monasterio de Santo Tomás[edit]
Real Monasterio de Santo Tomás is a Dominican convent of the late 15th century. Despite being away from the historic centre, it is one of the most important monuments of the town.
Santuario de Nuestra Señora de Sonsoles[edit]
Convento de Santa Teresa
This sanctuary is located 6 km from the capital in a picturesque area, and has a restaurant, hostel, picnic areas, and playgrounds.
It houses the statue of the Virgin of Sonsoles, co-patroness of Ávila, and patroness of the fields in the province.
It is a tradition in this town to make pilgrimage to the sanctuary, make a wish to the Virgin, and get to the door barefoot until entering the church.
Secular architecture[edit]
Notable examples of secular architecture are the Valderrábanos Palace (15th century), the Casa de los Deanes (16th century), the Torreón de los Guzmanes and the Verdugos Palace (15th–16th centuries).
Conference and Exhibition Centre Lienzo Norte[edit]
In mid-2007, work began on the convention centre. In April 2009, its construction was completed and it opened its doors.
The building, designed by architect Francisco José Mangado, is modern in style. It covers and area of 19,800 m2 (213,125 sq ft), including the area of the neighbouring gardens and parking.
There is a large symphony hall, large glass galleries, café, restaurant, conference room, catering services, storage, reception, store room, etc.
The symphony hall has a capacity of 2,000 and the secondary hall of 500. The two conference rooms have each 1,000 seats.
Museums[edit]
Los Cuatro (The Four) Postes, landmark spot in Ávila
Museum of Ávila
Museum of la Encarnación
Museum of Santa Teresa
Museum of the Cathedral
Museo of Santo Tomás
Museum of Oriental Art
Museum of Natural Sciences
Other sights[edit]
Living Water
Hall of Torreón de los Guzmanes
Sala de la Diputación
Sala del Episcopio
Caprotti Museum (which houses the work of Italian painter Guido Caprotti (1887–1966), based in Ávila from 1916)
