Culture
[edit]
Events and festivals[edit]
Breton Festival in the Saint-François district
Le Havre's festival calendar is punctuated by a wide range of events.
In spring a Children's Book Festival was recently created. In May there is the Fest Yves, a Breton festival in the Saint-François district. On the beach of Le Havre and Sainte-Adresse there is a jazz festival called Dixie Days in June. In July, detective novels are featured in the Polar room at the Beach hosted by The Black Anchors. Between the latter also in the context of Z'Estivales is an event offering many shows of street art throughout the summer supplemented by the festival of world music MoZaïques at the fort of Sainte-Adresse in August since 2010. In mid-August there is a Flower parade which passes through the streets of the central city.
In the first weekend of September the marine element is highlighted in the Festival of the Sea. This is a race between Le Havre and Bahia in Brazil. Also every November there is a fair held in the Docks Café. The Autumn Festival in Normandy, organized by the departments of Seine-Maritime and Eure, and the Region of Normandy, runs from September to November and offers numerous concerts throughout the region as well as theatre performances and dance. In late October, since 2009, there is rock music festival which has been at the fort of Tourneville since the moving of the Papa's Production association site there. The West Park Festival, after its inauguration in 2004, has been held in the park of the town hall of Harfleur.
Since 1 June 2006 a Biennale of contemporary Art has been organized by the group Partouche.
Cultural heritage and architecture[edit]
View of the rebuilt central city: the belfry of the town hall and the bell tower of the Church of Saint-Joseph du Havre.
Graville Abbey
Many buildings in the city are classified as "historical monuments", but the 2000s marked the real recognition of Le Havre's architectural heritage. The city received the label "City of Art and History" in 2001, then in 2005 UNESCO inscribed the city of Le Havre as a World Heritage Site.
The oldest building still standing in Le Havre is the Graville Abbey. The other medieval building in the city is the Chapel of Saint-Michel of Ingouville. Because of the bombing in 1944, heritage from the modern era is rare: Le Havre Cathedral, the Church of Saint Francis, the Museum of the Hotel Dubocage of Bleville, the House of the ship-owner and the old palace of justice (now the Natural History Museum) are concentrated in the Notre-Dame and Saint-François areas. The buildings of the 19th century testify to the maritime and military vocations of the city: the Hanging Gardens, the Fort of Tourneville, Vauban docks, and the Maritime Villa. The heritage of the 1950s and 1960s which were the work of the Auguste Perret workshop forms the most coherent architecture: the Church of Saint Francis and the Town Hall are the centrepieces. The all curved architecture of the "Volcano", designed by Oscar Niemeyer, contrasts with that of the rebuilt centre. Finally, the reconstruction of many districts is a showcase for the architecture of the 21st century. Among the achievements by renowned architects are the Chamber of Commerce and Industry (René and Phine Weeke Dottelond), Les Bains Des Docks (Jean Nouvel).
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Churches[edit]
Le Havre Cathedral: the first stone of the building was laid in 1536. It is the seat of the Bishop of Le Havre.
Church of Saint Joseph, one of the most recognized symbols of the city. The belltower is one of the tallest in France, rising to a height of 107 metres. It was designed by Auguste Perret.
Church of Saint Michel
Church of Saint Vincent
Church of Saint François
Church of St. Anne
Church of Saint Marie
Chapel of Saint Michel d'Ingouville (15th century)
Graville Abbey, a monastery dedicated to Sainte Honorine, set in grounds on the northern bank of the Seine River.
Presbyterian Reform Church (Église Réformée), 47 rue Anatole France, built in 1857, bombed in 1941, the roof and ceiling were rebuilt in 1953 by two architects from the famous Auguste Perret office: Jacques Lamy and Gérard Dupasquier, The only building in town offering both ancient and the new Perret school of architecture in the same building. Holy Office each Sunday morning at 10.30.
Museums[edit]
Five Museums in Le Havre have the distinction of being classified as Musées de France (Museums of France) an official label granted only to museums of a high status. The five museums are:
Museum of modern art André Malraux – MuMa[edit]
Overview of the Museum of modern art André Malraux - MuMa
The most important of the five, Museum Malraux was built in 1955 by the Atelier LWD and was opened in 1961 by André Malraux. This museum houses a collection of art from the late Middle Ages until the 20th century. The impressionist paintings collections are the second most extensive in France after those of the Orsay Museum in Paris. The museum houses some paintings of Claude Monet, Auguste Renoir, Raoul Dufy, Edgar Degas.
Musée du Vieux Havre (Museum of old Le Havre)[edit]
An old house in Le Havre, now Musée du Vieux Havre
A Museum dedicated to the history of Le Havre with many objects from the Ancien Régime and the 19th century: furniture, old maps, statues, and paintings.
Musée d'histoire naturelle (Museum of Natural History)[edit]
Founded in 1881 but heavily damaged during World War II, the Museum of Natural History is housed in Le Havre's former law courts, built in the mid-18th century; the façade and monumental staircase are listed as historical monuments. The museum houses mineralogy, zoology, ornithology, palaeontology and prehistory departments as well as 8,000 early 19th-century paintings from the collection of local naturalist and traveller Charles-Alexandre Lesueur (1778–1846). The museum was destroyed during Allied bombings on 5 September 1944. The library was lost, along with its collections of photographs, scientific instruments and archives. The mineral and geological collections were all destroyed, including a rare collection of local mineral specimens of Normandy. The destruction of the museum was so intense, that all the catalogues, lists of donations, lists of purchases and other archives prevented even a precise inventory of all that was lost."
The Shipowner's house[edit]
From the 18th century; like the Museum of Old Havre it is dedicated to the History of Le Havre and contains many relics from the Ancien Régime as well as furniture, old maps, statues, and paintings.
Museum of the Priory of Graville[edit]
The Museum at the Priory of Graville displays many items of religious art including statues, madonnas, and other religious objects many of which are classified by the Ministry of Culture. It also houses the Gosselin collection of 206 model houses created by Jules Gosselin in the 19th century.
Others[edit]
Other less important museums reflect the history of Le Havre and its maritime vocation. The apartment-control (Apartement-Temoine) was a standard apartment designed by in 1947–1950 and shows a place of daily life in the 1950s. The maritime museum displays objects related to the sea and the port. Finally, there are numerous exhibitions in the city such as the SPOT, a centre for contemporary art, art galleries, and Le Portique – a contemporary art space opened in 2008; the municipal library of Le Havre regularly organizes exhibitions.
Saint Roch Square
Other attractions include:
The former tribunal (18th century)
The Town Hall: the modern belfry which now contains offices
The "Volcan" cultural centre built by Oscar Niemeyer
Square St. Roch
Japanese Garden
Theatres, auditoriums and concerts[edit]
There are two main cultural axes in Le Havre: the central city and the Eure district. The Espace Oscar Niemeyer consists of a part of the "Great Volcano", a national theatre seating 1,093 (which houses the National Choreographic Centre of Le Havre Haute-Normandie directed by Hervé Robbe) and secondly the "Little Volcano" with a 250-seat multi-purpose hall for live performances. The whole Espace Oscar Niemeyer has been worked on since 2011: the little volcano will be transformed into a multimedia library. As for the performances at the Great Volcano, they are now taking place in the old ferry terminal until the end of construction. Other cultural institutions of the city centre are being transformed: the cinema of art and a trial of Le Sirius facing the university will reopen in 2013. Le Tetris at the fort of Tourneville will, in 2013, be a place devoted to contemporary music. Other cultural venues are scattered in the city centre: the cinema Le Studio, the theatre of the City Hall (700 seats), the Little Theatre (450 seats), the Théâtre des Bains Douches (94 seats), Akté theatre (60 seats), and the Poulailler (Henhouse)) (associative theatre with 50 seats) host numerous shows each year. The National Choreographic Centre of Le Havre Haute-Normandie specialises in the creation and production of dance shows. Other shows and performances are given in other places and at the Conservatory Arthur Honegger.
The second cultural centre of the city is in the Eure district near the Basin Vauban. Docks Océane is a multi-purpose hall (concerts, shows, and sporting events) which can accommodate up to 4,700 spectators in 1,800 square metres (19,000 sq ft). The largest cinema in Le Havre is located on the Docks Vauban (2,430 seats). The Docks Café is an exhibition centre of 17,500 square metres (188,000 sq ft) used for shows, fairs, and exhibitions. The Magic Mirrors offers many concerts managed by the city and leased to private organizers.
Following the closure of Cabaret Electric which was located in the Espace Oscar Niemeyer in 2011 a new auditorium, Le Tetris, is under construction at the Fort of Tourneville. It was scheduled to open in September 2013 with a large festival free-of-charge.[citation needed] It will consist of two halls with 800 and 200 seats, exhibition space, housing for artists in residence, a restaurant etc. Le Tetris will be a venue for contemporary music as well as theatre, dance, and visual arts. An "expectation" outside the walls was held on the site of the fort during 2012 and early 2013. [citation needed]
Libraries and archives[edit]
The main library is located in the city centre, named after the writer Armand Salacrou. It has branches in all districts. A new multimedia library at the "Volcano" is being refurbished for 2014. Thousands of references are available in specialized libraries in the Higher School of Art, the Museum of André Malraux, and the Natural History Museum. Medieval manuscripts and Incunables are conserved at the public library. The archives of the city, at the Fort of Tourneville, possesses documents from the 16th to the 20th centuries.
Representations in visual arts[edit]
Claude Monet, Impression, Sunrise, 1872, painted in the Port of Le Havre.
The Port of Le Havre and the light on the estuary of the Seine inspired many painters: Louis-Philippe Crepin (1772–1851), Jean-Baptiste Corot (1796–1875), Eugène Isabey (1803–1886), Theodore Gudin (1802–1880), Adolphe-Felix Cals (1810–1880), Jean-François Millet (1814–1875) in 1845, Gustave Courbet (1819–1877) etc.. It is to Eugène Boudin (1824–1898) who created many representations of Le Havre in the 19th century. The artist lived for a time in the city. Thanks to its proximity to Honfleur, Le Havre was also represented by foreign artists such as William Turner, Johan Barthold Jongkind, Alfred Stevens, and Richard Parkes Bonington.
Camille Pissarro, The Outer Harbour of Le Havre, Morning, Sun, Tide, 1902, Museum of modern art André Malraux - MuMa
Claude Monet (1840–1926), a resident of Le Havre from the age of five, in 1872 painted Impression soleil levant (Impression, Sunrise), a painting that gave its name to the impressionist movement. In 1867–1868, he painted many seascapes in the Le Havre region (Terrasse à Sainte-Adresse (Garden at Sainte-Adresse), 1867 Bateaux quittant le port (Boats Leaving the Port), 1874). The Musée Malraux houses some of his paintings : Waterlilies, London Parliament et Winter Sun at Lavacourt. Two other Impressionists, Camille Pissarro (1830–1903) and Maxime Maufra (1861–1918) also represented the port of Le Havre which also inspired Paul Signac (1863–1935), Albert Marquet (1875–1947), and Maurice de Vlaminck (1876–1958).
Then came the school of Fauvism in which many artists did their training at Le Havre: Othon Friesz (1879–1949), Henri de Saint-Delis (1876–1958), Raoul Dufy (1877–1953), Georges Braque (1882–1963), Raymond Lecourt (1882–1946), Albert Copieux (1885–1956), who followed the course of the School of Fine Arts of Le Havre in the time of Charles Lhuillier. They left a number of paintings on the theme of the city and the port. In 1899, Henri de Toulouse-Lautrec (1864–1901) painted La serveuse anglaise du Star (The English waitress of Star) (Museum Toulouse-Lautrec, Albi) of a girl he met in a bar in the city.
Other painters who painted Le Havre and/or its surroundings such as Sainte-Adresse can be cited in particular: Frédéric Bazille, John Gendall, Thomas Couture, Ambroise Louis Garneray, Pablo Picasso (Souvenir du Havre). Jean Dubuffet studied at the School of Art in Le Havre.
Cinema[edit]
With nearly 70 films, Le Havre is one of the provincial cities most represented in the cinema. Several directors have chosen the port facilities as part of their movie:
L'Atalante by Jean Vigo (1934)
Le Quai des brumes by Marcel Carné (1938)
Un homme marche dans la ville by Marcello Pagliero took place in the port and the Saint-François district after the Second World War.
Ce qu'ils imaginent by Anne Théron (2004)
The city has also hosted the filming of several comedies such as:
Le Cerveau by Gérard Oury (1968)
La Beuze (2003)
Disco (2008)
La Fée, also presented at the Directors' Fortnight in 2011.
The film by Sophie Marceau, La Disparue de Deauville, made in 2007, contains many scenes around the port of Le Havre, in the Coty shopping centre of Coty and in the streets of the central city.
The film Le Havre by Aki Kaurismäki received two prizes at the 2011 Cannes Film Festival and also the Louis Delluc Prize. It was nominated three times for the 37th César Awards.
Literature[edit]
Statue of the writer Bernardin de Saint-Pierre in front of the Law Courts in Le Havre.
Le Havre appears in several literary works as a point of departure to America: in the 18th century, Father Prevost embarked Manon Lescaut and Des Grieux for French Louisiana. Fanny Loviot departed from Le Havre in 1852, as an emigrant to San Francisco and points further west, and recounted her adventures in Les pirates chinois (A Lady's Captivity among Chinese Pirates in the Chinese Seas, 1858).
In the 19th century, Le Havre was the setting for several French novels: Honoré de Balzac described the failure of a Le Havre merchant family in Modeste Mignon. Later, the Norman writer Guy de Maupassant located several of his works at Le Havre such as Au muséum d'histoire naturelle (At the Museum of Natural History) a text published in Le Gaulois on 23 March 1881 and again in Pierre et Jean. Alphonse Allais located his intrigues at Le Havre too. La Bête humaine (The Human Beast) by Émile Zola evokes the world of the railway and runs along the Paris–Le Havre railway. Streets, buildings, and public places in Le Havre pay tribute to other famous Le Havre people from this period: the writer Casimir Delavigne (1793–1843) has a street named after him and a statue in front of the palace of justice alongside another man of letters, Bernardin de Saint-Pierre (1737–1814).
In the 20th century, Henry Miller located part of the action in Le Havre in his masterpiece Tropic of Cancer, published in 1934. Bouville was the commune where the writer lived who wrote his diary in La Nausée (The Nausea) (1938) by Jean-Paul Sartre who was inspired by Le Havre city where he wrote his first novel. There are also the testimonies of Raymond Queneau (1903–1976), born in Le Havre, the city served as a framework for his novel Un rude hiver (A harsh winter) (1939). The plot of Une maison soufflée aux vents (A house blown to the winds) by Émile Danoën, winner of the Popular Novel Prize in 1951, and its sequel Idylle dans un quartier muré (Idyll in a walled neighbourhood) were located in Le Havre during the Second World War. Under the name Port de Brume Le Havre is the setting for three other novels by this author: Cerfs-volants (Kites), L'Aventure de Noël (The Adventure at Christmas), and La Queue à la pègre (Queue to the underworld). Michel Leiris wrote De la littérature considérée comme une tauromachie (Of literature considered like a bullfight) in December 1945.
Diana Gabaldon set the second novel in her Outlander series, Dragonfly in Amber (1992), partly in Le Havre.
Two mystery novels take place in Le Havre: Le Bilan Maletras (The Maletras Balance) by Georges Simenon and Le Crime de Rouletabille (Crime at the Roulette table) by Gaston Leroux. In Rouge Brésil (Red Brazil), winner of the Goncourt Prize in 2001, Jean-Christophe Rufin describes Le Havre in the 16th century as the port of departure of French expeditions to the New World: the hero Villegagnon leaves of the port to conquer new lands for the French crown which become Brazil. Martine–Marie Muller tells the saga of a clan of Stevedores from Le Havre in the 1950s to the 1970s in Quai des Amériques (Quay of the Americas).
Benoît Duteurtre published in 2001, Le Voyage en France (Travel in France), for which he received the Prix Médicis: the main character, a young American impassioned by France, lands at Le Havre which he describes in the first part of the novel. In 2008, Benoît Duteurtre publishes Les pieds dans l'eau (Feet in the water), a highly autobiographical book in which he describes his youth spent between Le Havre and Étretat. The city hosted writers such as Emile Danoën (1920–1999) who grew up in the district of Saint-François, Yoland Simon (born 1941), and Philippe Huet (born 1955). Canadian poet Octave Crémazie (1827–1879) died at Le Havre and was buried in Saint Marie Cemetery. The playwright Jacques-François Ancelot (1794–1854) was also a native of Le Havre. Two famous historians, Gabriel Monod (1844–1912) and André Siegfried (1875–1959) were from the city.
Le Havre also appears in comic books: for example, in L'Oreille cassée (The Broken Ear) (1937), Tintin embarks on the vessel City of Lyon sailing to South America. The meeting between Tintin and General Alcazar in Les Sept Boules de cristal (The Seven Crystal Balls) (1948) is in Le Havre, according to notes by Hergé in the margins of Le Soir, the first publisher of this adventure. The first adventure of Ric Hochet (1963), the designer Tibet and André-Paul Duchâteau, Traquenard au Havre (Trap at Le Havre) shows the seaside and the port. Similarly, in 1967, for the album Rapt sur le France (Rapt on France), the hero passes by the ocean port. Frank Le Gall, in Novembre toute l'année (November all year) (2000) embarks Theodore Poussin at Le Havre on the Cap Padaran.
Music[edit]
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Le Havre is the birthplace of many musicians and composers such as Henri Woollett (1864–1936), André Caplet (1878–1925) and Arthur Honegger (1892–1955). There was also Victor Mustel (1815–1890) who was famous for having perfected the harmonium.
Le Havre has long been regarded as one of the cradles of French rock and blues. In the 1980s many groups have emerged after a first dynamic development in the 1960s and 1970s. The most famous personality of Le Havre rock is Little Bob who began his career in the 1970s. The port tradition in many of the groups was repeated in the unused sheds of the port, such as Bovis hall which could hold 20,000 spectators. A blues festival, driven by Jean-François Skrobek, Blues a Gogo existed for eight years from 1995 to 2002. Several artists have been produced such as: Youssou N'Dour, Popa Chubby, Amadou & Mariam, Patrick Verbeke etc. It was organized by the Coup de Bleu association whose former president was head of music Café L'Agora in the Niemeyer Centre which produced the new Le Havre scene. During these same years, the Festival of the Future, the local version of the Fête de l'Humanité (Festival of Humanity), attracted a large audience.
Currently, the musical tradition continues in the Symphony Orchestra of the city of Le Havre, the orchestra of Concerts André Caplet, the conservatory, and music schools such as the Centre for Vocal and Musical Expression (rock) or the JUPO (mainly jazz), associations or labels like Papa's Production (la Folie Ordinaire, Mob's et Travaux, Dominique Comont, Souinq, Your Happy End etc.). The organization by the association of West Park Festival since the 2000s in Harfleur and since 2004 at the Fort of Tourneville is a demonstration. Moreover, since 2008, the association I Love LH was started and promotes Le Havre culture and especially its music scene by organizing original cultural events as well as the free distribution of compilation music by local artists.
Board game[edit]
Main articles: Le Havre (board game)
Le Havre is a board game about the development of the town of Le Havre. It was inspired by the games Caylus and Agricola and was developed in December 2007.[citation needed]
Norman language[edit]
Main articles: Norman language and Cauchois dialect.
The legacy of the Norman language is present in the language used by the people of Le Havre, part of which is identified as speaking cauchois. Among the Norman words most used in Le Havre there are: boujou (hello, goodbye), clenche (door handle), morveux (veuse) (child), and bezot (te) (last born).
