Culture and society
[edit]
Reconstruction of the Bayon, the centre of Angkor Thom
Much of what is known about Kambuja comes from the bas-reliefs of Angkor's temples and the first-hand accounts of Chinese diplomat Zhou Daguan (The Customs of Cambodia), which provide information on 13th-century Cambodia and earlier. The bas-reliefs, such as those in the Bayon, describe everyday life in the ancient Khmer kingdom, including scenes of palace life, naval battles on the river and lakes, and common scenes of the marketplace.
Economy and agriculture[edit]
Khmer market in the Bayon
The ancient Khmers were a traditional agricultural community, relying heavily on rice farming. The farmers, who formed the majority of the kingdom's population, planted rice near the banks of the lake or river, in the irrigated plains surrounding their villages, or in the hills when the lowlands were flooded. The rice paddies were irrigated by a massive and complex hydraulics system, including networks of canals and barays, or giant water reservoirs. This system enabled the formation of large-scale rice farming communities surrounding Khmer cities. Sugar palm trees, fruit trees, and vegetables were grown in the orchards by the villages, providing other sources of agricultural produce such as palm sugar, palm wine, coconut, various tropical fruits, and vegetables.
Located by the massive Tonlé Sap lake, and also near numerous rivers and ponds, many Khmer people relied on fresh water fisheries for their living. Fishing gave the population their main source of protein, which was turned into prahok – dried or roasted or steamed fish paste wrapped in banana leaves. Rice was the main staple along with fish. Other sources of protein included pigs, cattle, and poultry, which were kept under the farmers' houses, which were elevated on stilts to protect them from flooding.
The marketplace of Angkor contained no permanent buildings; it was an open square where the traders sat on the ground on woven straw mats and sold their wares. There were no tables or chairs. Some traders might be protected from the sun with a simple thatched parasol. A certain type of tax or rent was levied by officials for each space occupied by traders in the marketplace. The trade and economy in the Angkor marketplace were mainly run by women.
Zhou Daguan's description of the women of Angkor:
The local people who know how to trade are all women. So when a Chinese man goes to this country, the first thing he must do is take in a woman, partly with a view of profiting from her trading abilities.The women age very quickly, no doubt because they marry and give birth when they are too young. When they are twenty or thirty-years-old, they look like Chinese women who are forty or fifty.
The role of women in the trade and economy of Kambuja suggests that they enjoyed significant rights and freedom.[specify] Their practice of marrying early may have contributed to the high fertility rate and huge population of the kingdom.
Society and politics[edit]
See also: Devaraja
Women of the royal court
A naval battle against the Chams; relief in the Bayon
Bas-relief in the Bayon depicting home life
Kambuja was founded upon extensive networks of agricultural rice farming communities. A distinct settlement hierarchy is present in the region. Small villages were clustered around regional centres, such as the one at Phimai, which in turn sent their goods to large cities like Angkor in return for other goods, such as pottery and foreign trade items from China. The king and his officials were in charge of irrigation management and water distribution, which consisted of an intricate series of hydraulics infrastructure, such as canals, moats, and massive reservoirs called barays.
Society was arranged in a hierarchy reflecting the Hindu caste system,[citation needed] where the commoners – rice farmers and fishermen – formed the large majority of the population. The kshatriyas – royalty, nobles, warlords, soldiers, and warriors – formed a governing elite and authorities. Other social classes included brahmins (priests), traders, artisans such as carpenters and stonemasons, potters, metalworkers, goldsmiths, and textile weavers, while on the lowest social level were slaves.
The extensive irrigation projects provided rice surpluses that could support a large population. The state religion was Hinduism but influenced by the cult of Devaraja, elevating the Khmer kings as possessing the divine quality of living gods on earth, attributed to the incarnation of Vishnu or Shiva. In politics, this status was viewed as the divine justification of a king's rule. The cult enabled the Khmer kings to embark on massive architectural projects, constructing majestic monuments such as Angkor Wat and the Bayon to celebrate the king's divine rule on earth.
Bas-relief in the Bayon depicting childbirth
The King was surrounded by ministers, state officials, nobles, royalties, palace women, and servants, all protected by guards and troops. The capital city of Angkor and the Khmer royal court are famous for grand ceremonies, with many festivals and rituals held in the city. Even when travelling, the King and his entourages created quite a spectacle, as described in Zhou Daguan's accounts. Zhou Daguan's description of a royal procession of Indravarman III is as follows:
When the king goes out, troops are at the head of [his] escort; then come flags, banners and music. Palace women, numbering from three to five hundred, wearing flowered cloth, with flowers in their hair, hold candles in their hands, and form a troupe. Even in broad daylight, the candles are lighted. Then come other palace women, bearing royal paraphernalia made of gold and silver... Then come the palace women carrying lances and shields, with the king's private guards. Carts drawn by goats and horses, all in gold, come next. Ministers and princes are mounted on elephants, and in front of them one can see, from afar, their innumerable red umbrellas. After them come the wives and concubines of the king, in palanquins, carriages, on horseback and on elephants. They have more than one hundred parasols, flecked with gold. Behind them comes the sovereign, standing on an elephant, holding his sacred sword in his hand. The elephant's tusks are encased in gold.
Zhou Daguan's description of the Khmer king's wardrobe:
Only the ruler can dress in cloth with an all-over floral design...Around his neck he wears about three pounds of big pearls. At his wrists, ankles and fingers he has gold bracelets and rings all set with cat's eyes...When he goes out, he holds a golden sword [of state] in his hand.
Khmer kings were often involved in series of wars and conquests. The large population of Angkor enabled the empire to support large free standing armies, which were sometimes deployed to conquer neighbouring princedoms or kingdoms. Series of conquests were led to expand the empire's influence over areas surrounding Angkor and Tonle Sap, the Mekong valley and delta, and surrounding lands. Some Khmer kings embarked on military conquests and war against neighbouring Champa, Dai Viet, and Thai warlords. Khmer kings and royal families were also often involved in incessant power struggle over successions or rivalries over principalities.
Military[edit]
A bas-relief depicting Khmer naval soldiers using bow and arrows. Located in the Bayon, created c. 12th-13th century.
Helmets, weapons, and armoury of Kambuja's military as depicted in Angkor Wat. Taken from French explorer Henri Mouhot's book.
According to Zhou Daguan, who stayed in Yaśodharapura from 1296 to 1297, the Sukhothai Kingdom laid waste to Khmer lands in repeated wars. According to Zhou, the Khmer soldiers fought naked and barefoot, wielding only lance and shield. He did not witness any usage of bows and arrows (although bows and arrow are depicted in bas-relief at the Bayon), trebuchets, body armour, or helmets. When Sukhotai attacked, ordinary people were ordered to face them without strategy or preparation. The Khmer had double bow crossbows mounted on elephants, which Michel JacqHergoualc'h suggests were elements of Cham mercenaries in Jayavarman VII's army.
In terms of fortifications, Zhou described Angkor Thom's walls as being 10 kilometres (6.2 mi) long in circumference with five gateways, each with two gates, surrounded by a large moat spanned by bridges. The walls, which formed an exact square, were made of stone and so tightly packed that no weeds grew from them. The walls were around 6–7 metres in height and sloped from the inside, thick enough to contain chambers, but with no battlements and only a single stone tower on each of the four sides. Guards operated them, but dogs were not allowed on the walls. According to an oral tradition told to Henri Mouhot, Kambuja had a standing army of 5 to 6 million soldiers.
Culture and way of life[edit]
Relief in the Bayon depicting cockfighting
Bas-relief depicting people playing a chess-like game
Zhou Daguan's description of Khmer houses:
The dwellings of the princes and principal officials have a completely different layout and dimensions from those of the people. All the outlying buildings are covered with thatch; only the family temple and the principal apartment can be covered in tiles. The official rank of each person determines the size of the houses.
Houses of farmers were situated near the rice paddies on the edge of the cities. The walls of the houses were made of woven bamboo, with thatched roofs, and they were on stilts. A house was divided into three rooms by woven bamboo walls. One was the parents' bedroom, another was the daughters' bedroom, and the largest was the living area. Sons slept wherever they could find space. The kitchen was at the back or in a separate room. Nobles and kings lived in the palace and much larger houses in the city. They were made of the same materials as the farmers' houses, but the roofs were wooden shingles and had elaborate designs as well as more rooms.
Zhou Daguan reported that locals do not produce silk or have the ability to stitch and darn with a needle and thread.
None of the locals produces silk. Nor do the women know how to stitch and darn with a needle and thread. The only thing they can do is weave cotton from kapok. Even then they cannot spin the yarn, but just use their hands to gather the cloth into strands. They do not use a loom for weaving. Instead they just wind one end of the cloth around their waist, hang the other end over a window, and use a bamboo tube as a shuttle.
In recent years people from Siam have come to live in Cambodia, and unlike the locals they engage in silk production. The mulberry trees they grow and the silkworms they raise all come from Siam. They themselves weave the silk into clothes made of a black, patterned satiny silk. Siamese women do know how to stitch and darn, so when local people have torn or damaged clothing they ask them to do the mending.
The common people wore a sampot where the front end was drawn between the legs and secured at the back by a belt. Nobles and kings wore finer and richer fabrics. Women wore a strip of cloth to cover the chest, while noble women had a lengthened one that went over the shoulder. Men and women wore a Krama. Along with depictions of battle and the military conquests of kings, the basreliefs of the Bayon depict the mundane everyday life of common Khmer people, including scenes of the marketplace, fishermen, butchers, people playing a chess-like game, and gambling during cockfighting.[citation needed]
Religion[edit]
Vishnu, Baphuon style
The main religion was Hinduism, followed by Buddhism in popularity.[citation needed] Initially, the kingdom revered Hinduism as the main state religion.[citation needed] Vishnu and Shiva were the most revered deities, worshipped in Khmer Hindu temples. Temples such as Angkor Wat are actually known as Phitsanulok (Vara Vishnuloka in Sanskrit) or the realm of Vishnu, to honour the posthumous King Suryavarman II as Vishnu.
Hindu ceremonies and rituals performed by Brahmins (Hindu priests), usually only held among the ruling elites of the king's family, nobles, and the ruling class. The empire's official religions included Hinduism and Mahayana Buddhism until Theravada Buddhism prevailed, even among the lower classes, after its introduction from Sri Lanka in the 13th century.
Art and architecture[edit]
Main articles: Khmer architecture and Khmer sculpture
Kambuja's Spean Praptos, a corbel bridge in present-day Siem Reap Province, Cambodia
Zhou Daguan's description on the Angkor Royal Palace:
All official buildings and homes of the aristocracy, including the Royal Palace, face the east. The Royal Palace stands north of the Golden Tower and the Bridge of Gold: it is one and a half mile in circumference. The tiles of the main dwelling are of lead. Other dwellings are covered with yellow-coloured pottery tiles. Carved or painted Buddhas decorate all the immense columns and lintels. The roofs are impressive too. Open corridors and long colonnades, arranged in harmonious patterns, stretch away on all sides.
Angkorian Garuda statue on visiting display at California Science Center
The Angkor Empire produced numerous temples and majestic monuments to celebrate the divine authority of Khmer kings. Khmer architecture reflects the Hindu belief that the temple was built to recreate the abode of Hindu gods, Mount Meru, with its five peaks and surrounded by seas represented by ponds and moats. The early Khmer temples built in the Angkor region and the Bakong temple in Hariharalaya (Roluos) employed stepped pyramid structures to represent the sacred temple-mountain.
Khmer art and architecture reached their aesthetic and technical peak with the construction of the majestic temple Angkor Wat. Other temples are also constructed in the Angkor region, such as Ta Phrom and the Bayon. The construction of the temple demonstrates the artistic and technical achievements of Kambuja through its architectural mastery of stone masonry.
West Mebon Vishnu
Bronze is an alloy composed primarily of copper and tin. It was a preferred material for representing Hindu and Buddhist deities in Angkor and throughout the Khmer Empire. The Khmer regarded bronze as a noble substance, associated with prosperity and success, and it held cultural significance for many centuries. A bronze statue of Vishnu is considered the "Mona Lisa of Cambodia or the "Venus de Milo of Cambodia". It was discovered in 1936 by Frenchman Maurice Glaize in what was once the West Mebon temple on an island in Angkor's largest pond. The statue is estimated to have been made in the 11th century and would have been between 5-6 metres long.
List of architectural styles during Angkor period:
Styles
Dates
Rulers
Temples
Chief Characteristics
Kulen
825–875
Jayavarman II
Damrei Krap
Continuation of pre-Angkorean but a period of innovation and borrowing such as from Cham temples. Tower mainly square and relatively high. Mainly brick with laterite walls and stone door surrounds. Square and octagonal colonettes begin to appear.
Preah Ko
877–886
Jayavarman III Indravarman I
Preah Ko, Bakong, Lolei
Simple plan: one or more square brick towers on a single base. First appearance of concentric enclosures and of gopura and libraries. Decorative 'flying palaces' replaced by dvarapalas and devatas in niches. First major temple mountain at Bakong.
Bakheng
889–923
Yasovarman I Harshavarman I
Phnom Bakheng, Phnom Krom, Phnom Bok, Baksei Chamkrong (trans.)
Development of the temple mountain. More use of stone, particularly for major temples and more decorative stone carving.
Koh Ker
921–944
Jayavarman IV
Group of Koh Ker temples
Scale of buildings diminishes toward centre. Brick still main material but sandstone also used.
Pre Rup
944–968
Rajendravarman
Pre Rup, East Mebon, Bat Chum, Kutisvara
Transitional between Koh Ker and Banteay Srei. Long halls partly enclose sanctuary. The last great monuments in plastered brick, increasing use of sandstone.
Banteay Srei
967–1000
Jayavarman V
Banteay Srei
Ornate, superposed pediments, sweeping gable ends, rich and deep carving. Plasterd brick replaced by stone and laterite. Appearance of scenes in pediments. Voluptuous devatas with gentle expressions.
Khleang
968–1010
Jayavarman V
Ta Keo, The Khleangs, Phimeanakas, Royal Palace
First use of galleries. Cruciform gopuras. Octagonal colonettes. Restrained decorative carving.
Baphuon
1050–1080
Udayadityavarman II
Baphuon, West Mebon
A return to rich carving: floral motifs but also lintels with scenes. Nagas without head-dress. Bas-reliefs appear at Baphuon temple, carving with lively scenes enclosed in small panels, often in narrative sequence.
Angkor Wat
1113–1175
Suryavarman II Yasovarman II
Angkor Wat, Banteay Samré, Thommanon, Chau Say Tevoda, Beng Mealea, some of Preah Pithu, Phimai and Phnom Rung
The high classical style of Khmer architecture. Fully developed conical towers with carving profile. Galleries wider and with half galleries on one side. Concentric enclosures connected by axial galleries. Nagas with head-dress, naga balustrades raised off the ground. Invention of cross-shaped terrace. Richly carved lintels and other decorations. Bas-reliefs, Apsaras.
Bayon
1181–1243
Jayavarman VII Indravarman II
Ta Prohm, Preah Khan, Neak Pean, Ta Som, Ta Nei, Angkor Thom, Prasat Chrung, Bayon, Elephant terrace, Ta Prohm Kel, Krol Ko, Prasat Suor Prat, Banteay Chhmar, Hospital Chaples, Jayatataka baray
The last great style. Hurried construction, often in laterite not stone, carving less elegant. Complex plans, huge temples. In Cambodia, face-towers and historical narrative bas-reliefs. Three periods: 1. large complex temples on a single level, 2. face-towers and avenues of giants carrying nagas, 3. decline of the building standards, devatas acquire Angkor Wat style diadem.
Post Bayon
1243–15th c.
Jayavarman VIII and others
Terrace of the Leper King, Preah Pithu, Preah Palilay (modifications to temples)
Inversion of cross-shaped terrace, causeways on columns, low or high.