Culture
[edit]
Main article: Culture of India
Society[edit]
Main articles: Caste system in India and Gender inequality in India
Although sometimes applied to other cultures and religions, caste is a uniquely Indian, and Hindu, social institution. All Hindus fall broadly into four castes, or varnas: Brahmin, or priests, at the top; below them Kshatriya, or warriors; further below, Vaishya, or merchants and farmers; and at the bottom, Shudra, or the service class. Outside the caste system, and therefore of traditional Hinduism, lie people formerly called "outcastes" or "untouchables," and now scheduled caste (a term used in India's constitution) or Dalit, a later self-description of pride, meaning "broken" or "downtrodden". Each caste is further divided into sub-castes, or jatis, many of which are tied to occupations. The custom of endogamy, or marrying within one's subcaste, however, makes caste a hereditary label, not of one occupational choice, and has caused the caste system, therefore, to become entrenched. The Constituent Assembly of India abolished untouchability in 1947, the Republic of India did more formally in 1950, and India has since enacted other anti-discriminatory laws and social welfare initiatives related to caste. Still, caste-based inequality, discrimination, segregation, and violence persist.
Multi-generational patrilineal joint families have been the norm in India, though nuclear families are becoming common in urban areas. A very large majority of Indians have their marriages arranged by their parents or family elders. Marriage is thought to be for life; and the divorce rate is extremely low; less than one in a thousand marriages end in divorce. Many women marry before reaching 18, which is their legal marriageable age; child marriages are not uncommon, especially in rural areas. In large parts of Hindu northern India, moreover, a form of territorial exogamy is observed in which a bride marries out of her natal village and her parents do not visit her in her married home; the annual rite raksha bandhan, during which married women return to their natal homes, has served both to affirm bonds with their natal families and offer a recourse in times of marital stress.
A member of the Gond tribe during the Dandari festival in Jainoor, Telangana. Some 8.6% of India's population belong to tribal groups. The supercontinent Gondwana is named after the Gond region of India. Their religion predates the Hindu synthesis of the mid-first-millennium BCE.
A member of the Ramnami Samaj, a movement among Dalits, whose members worship the Hindu deity Rama and tattoo their bodies with his name
A Hindu bride in Ahmedabad, Gujarat
Visual art[edit]
Main article: Indian art
India has a very ancient tradition of art, which has exchanged many influences with the rest of Eurasia, especially in the first millennium. During this period Buddhist art spread with Indian religions to Central, East and Southeast Asia, the last also greatly influenced by Hindu art. Thousands of seals from the Indus Valley civilisation of the third millennium BCE have been found, usually carved with animals, but also some with human figures. The Pashupati seal, excavated in Mohenjo-daro, Pakistan, in 1928–29, is the best known. Virtually no art survives from a long period following the Indus Valley Civilisation. Almost all surviving ancient Indian art thereafter is in various forms of religious sculpture in durable materials, or coins. There was probably originally far more in wood, which is lost. In north India Mauryan art is the first imperial movement.
Over the following centuries a distinctly Indian style of sculpting the human figure developed, with less interest in articulating precise anatomy than ancient Greek sculpture but showing smoothly flowing forms expressing prana ("breath" or life-force). This is often complicated by the need to give figures multiple arms or heads, or represent different genders on the left and right of figures, as with the Ardhanarishvara form of Shiva and Parvati.
Most of the earliest large sculpture is Buddhist, either excavated from Buddhist stupas such as Sanchi, Sarnath and Amaravati, or is rock cut reliefs at sites such as Ajanta, Karla and Ellora. Hindu and Jain sites appear rather later. In spite of this complex mixture of religious traditions, generally, the prevailing artistic style at any time and place has been shared by the major religious groups, and sculptors probably usually served all communities. Gupta art, at its peak c. 300 CE – c. 500 CE, is often regarded as a classical period whose influence lingered for many centuries after; it saw a new dominance of Hindu sculpture, as at the Elephanta Caves. Across the north, this became rather stiff and formulaic after c. 800 CE, though rich with finely carved detail in the surrounds of statues. But in the South, under the Pallava and Chola dynasties, sculpture in both stone and bronze had a sustained period of great achievement; the large bronzes with Shiva as Nataraja have become an iconic symbol of India.
Ancient paintings have only survived at a few sites, of which the crowded scenes of court life in the Ajanta Caves are some of the most important. Painted manuscripts of religious texts survive from Eastern India from 10th century onwards, most of the earliest being Buddhist and later Jain. These significantly influenced later artistic styles. The Persian-derived Deccan painting, starting just before the Mughal miniature, between them give the first large body of secular painting, with an emphasis on portraits, and the recording of princely pleasures and wars. The style spread to Hindu courts, especially among the Rajputs, and developed a variety of styles, with the smaller courts often the most innovative, with figures such as Nihâl Chand and Nainsukh. As a market developed among European residents, it was supplied by Company painting by Indian artists with considerable Western influence. In the 19th century, cheap Kalighat paintings of gods and everyday life, done on paper, were urban folk art from Calcutta, which later saw the Bengal School of Art, reflecting the art colleges founded by the British, the first movement in modern Indian painting.
Bhutesvara Yakshis, Buddhist reliefs from Mathura, 2nd century CE
Gupta terracotta relief, Krishna Killing the Horse Demon Keshi, 5th century
Krishna Fluting to the Milkmaids, Kangra painting, 1775–1785
Chola bronze of Shiva as Nataraja ("Lord of Dance"), Tamil Nadu, 10th or 11th century
Mathematics[edit]
Main articles: Indian mathematics and Kerala school of astronomy and mathematics
Significant mathematics began in India in the first millennium BCE. The Śulba Sūtras (literally, "Aphorisms of the Chords" in Vedic Sanskrit) (c. 700–400 BCE) contain the earliest extant verbal expression of the Pythagorean theorem (although very likely it had been known to the Old Babylonians.) All mathematical works were orally transmitted until approximately 500 BCE; thereafter, they were transmitted both orally and in manuscript form. The oldest extant mathematical document produced on the Indian subcontinent is the birch bark Bakhshali manuscript from the 7th century CE.
In the classical period of Indian mathematics (400 CE to 1200 CE), important contributions were made by Aryabhata, Brahmagupta, Bhaskara II, Varāhamihira, and Madhava. The decimal number system in use today was first recorded in Indian mathematics. Indian mathematicians made early contributions to the study of the concept of zero as a number, negative numbers, arithmetic, and algebra. Trigonometry was further advanced in India, and the modern definitions of sine and cosine were developed there. These mathematical concepts were transmitted to the Middle East, China, and Europe. A later landmark in Indian mathematics was the development of the series expansions for trigonometric functions (sine, cosine, and arc tangent) by mathematicians of the Kerala school in the 15th century CE. Their work, completed two centuries before the invention of calculus in Europe, provided the first example of a power series. In the modern era Srinivasa Ramanujan made fundamental contributions to number theory.
Music[edit]
Main article: Music of India
India contains a wide array of musical practices, including many different folk musics from different regions. Indian classical music has Vedic origins, and split in the 13th century into the two main traditions of Hindustani and Carnatic music. Hindustani is associated with North India and is more improvisational, featuring instruments such as the sitar and tabla, and Carnatic is South Indian and more focused on written compositions such as the kriti, while both styles contain common elements such as the raga melodic framework and tala rhythmic meter. Indian music has influenced western genres, including rock and jazz musicians during the 1960s counterculture.
Indian film music is music written for Indian cinema, generally composed by music directors and sung by playback singers. Modern Indian pop takes influences from classical, folk, and western pop music.
M. S. Subbulakshmi, Carnatic music vocalist and the first Indian musician to perform at the United Nations in 1966, began her career singing in Tamil films.
Carnatic music mridangam player Palghat Mani Iyer (left) at a concert with three violinists, from left to right: L. Vaidyanathan, L. Subramaniam, and L. Shankar.
Allauddin Khan, a Hindustani classical music sarod player was also an influential teacher. Among his students were the sitarist Ravi Shankar, sarod player Ali Akbar Khan, and flutist Pannalal Ghosh.
Ravi Shankar playing the sitar at the Woodstock music festival, 1972
Dance[edit]
Main article: Dance in India
Dance in India has drawn heavily from Indian classical dance traditions. Many of these in turn arose in temples or other religious contexts. Their sponsorship and promotion, however, has continued in secular, modern India. India also has local and modern dance traditions. Whether a dance is classical is determined by the Sangeet Natak Academi, the Indian government's organisation for performing arts. Although more dances could perhaps meet the criteria for classical, the Akademi has chosen eight.
Classical Dances of India
Serial number
Dance
Indigenous to: State
Region
Type or origin
Musical accompaniment
1
Bharatanatyam
Tamil Nadu
South India
Temple dance
Cinna Melam, Carnatic music
2
Kathak
Uttar Pradesh
North India
Court dance
Hindustani music
3
Kathakali
Kerala
South India
Dance-drama
Madhalam drum ensembles; Sopana vocal music
4
Kuchipudi
Andhra Pradesh
South India
Dance-drama
Carnatic music ensemble
5
Manipuri
Manipur
Northeast India
Temple/ritual dance
Ensemble comprising Pung Cholom, flutes, trumpets, Tambura, Pena, and cymbals
6
Mohiniattam
Kerala
South India
Dance-drama
Carnatic ensemble
7
Odissi
Odisha
East India
Temple dance
Ensemble of Hindustani music instruments: pakhavaj, sitar, flute, cymbals, harmonium
8
Sattriya
Assam
Northeast India
Dance-drama
Borgeet accompanied by khol drums and cymbals.
The best-known classical dance is Bharatnatyam, which began in the temple dances of Tamil devadasis. Identified with "prostitutes and courtesans", their dancing was formally banned in 1947. Concurrently, the dance was rehabilitated as a "pure" art form, with Rukmini Devi Arundale as a prominent figure. A devdasi who went on to attain national and international prominence was Thanjavur Balasaraswati. Some sources consider the dance-dramas Chhau of Jharkhand, West Bengal, and Odisha and Yakshagana of Karnataka to also belong to the classical tradition.
Local dance traditions vary widely across India. In addition to the dance-dramas Chhau and Yakshagana, they include dance-dramas Raslila of western Uttar Pradesh and Terukkuttu of Tamil Nadu; calendrical and festival dances such as the Bhangra of Punjab, especially at Vaisakhi, the onset of spring, and Garba of Gujarat during Navratri; and tribal or Adivasi dances, such as those of the Santal and Toda people, the latter, for example, in honour of the god Ön who brought buffalo to earth.
Among 20th-century directions is the modern dance of Uday Shankar in which classical styles were employed but not adhered to rigidly. Examples are dance-dramas based on the ancient Indian animal fables, Panchatantra, and Nehru's mid-century meditation on Indian history, The Discovery of India. Dance has been an essential aspect of Indian films from the first talkies of the 1930s. The individual and group dances of Bollywood, for example, show a broad range of influences, including classical, local, and Western popular dance. Towards the end of the 20th century, innovations in British South Asian music and dance, such as Post-Bhangra, fed back into dance in India.
The Kathakali dance of Kerala
The Bharatanatyam dance of Tamil Nadu
The Kathak dance of northern India absorbed Persian and Central Asian influences during Mughal rule.
Clothing[edit]
Main article: Clothing in India
From ancient times until the advent of the modern, the most widely worn traditional dress in India was draped. For women it took the form of a sari, a single piece of cloth many yards long. The sari was traditionally wrapped around the lower body and the shoulder. In its modern form, it is combined with an underskirt, or Indian petticoat, and tucked in along the waist band for more secure fastening. It is also commonly worn with an Indian blouse, or choli, which serves as the primary upper-body garment, the sari's end—passing over the shoulder—covering the midriff and obscuring the upper body's contours. For men, a similar but shorter length of cloth, the dhoti, has served as a lower-body garment.
The use of stitched clothes became widespread after Muslim rule was established by the Delhi sultanate (c. 1300 CE) and continued by the Mughal Empire (c. 1525 CE). Among the garments introduced during this time and still commonly worn are: the shalwars and pyjamas, both styles of trousers, and the tunics kurta and kameez. Shalwars are atypically wide at the waist but narrow to a cuffed bottom. They are held up by a drawstring, which causes them to become pleated around the waist. When the pants are cut quite narrow, on the bias, they are called churidars. The kameez is a long shirt or tunic. Its side seams left open below the waistline. The kurta is traditionally collarless and made of cotton or silk; it is worn plain or with embroidered decoration, such as chikankari; and typically falls to either just above or just below the wearer's knees.
In the last 50 years, fashions have changed a great deal in India. Increasingly, in urban northern India, the sari is no longer the apparel of everyday wear, though they remain popular on formal occasions. The traditional shalwar kameez is rarely worn by younger urban women, who favour churidars or jeans. In office settings, ubiquitous air conditioning allows men to wear sports jackets year-round. For weddings and formal occasions, men in the middle and upper classes often wear bandhgala, or short Nehru jackets, with pants, with the groom and his groomsmen sporting sherwanis and churidars.
A man in dhoti and woollen shawl in Varanasi
Women in sari at an adult literacy class in Tamil Nadu
Female tourists from Manipur in shawl and phanek—lower-body garment similar to a sarong, and made of a rectangular piece of cloth with one pair of opposite sides stitched together
Women in shalwar-kameez in Puducherry
Cuisine[edit]
Main article: Indian cuisine
The foundation of a typical Indian meal is a cereal cooked plainly and complemented with savoury dishes. The cooked cereal could be steamed rice; chapati, a thin unleavened bread; idli, a steamed breakfast cake; or dosa, a griddled pancake. The savoury dishes might include lentils, pulses, vegetables, meat, poultry and fish commonly spiced with ginger and garlic, but also coriander, cumin, turmeric, cinnamon, cardamom and others. In some instances, the ingredients may be mixed during the cooking process. India has distinctive vegetarian cuisines, each a feature of the geographical and cultural histories of its adherents. About 20% to 39% of India's population consists of vegetarians. Although meat is eaten widely, the proportional consumption of meat is low.
The most significant import of cooking techniques into India during the last millennium occurred during the Mughal Empire, spreading into northern India from regions to its northwest, along with dishes such as pilaf. Onions, garlic, almonds, and spices were added to the simple yogurt marinade of Persia. Rice was partially cooked and layered alternately with sauteed meat, the pot sealed tightly, and slow cooked according to another Persian cooking technique, to produce biryani, a feature of festive dining in many parts of India.
The diversity of Indian food served worldwide has been partially concealed by the dominance of Punjabi cuisine. The popularity of tandoori chicken—cooked in a tandoor oven, which had traditionally been used for baking bread in the rural Punjab and the Delhi region, especially among Muslims, but which is originally from Central Asia—dates to the 1950s, and was caused in large part by an entrepreneurial response among people from the Punjab who had been displaced by the 1947 partition.
A tandoor chef in the Turkman Gate, Old Delhi, makes Khameeri roti, a Muslim-influenced style of leavened bread.
South Indian vegetarian thali, or platter
Machher jhol, a spicy fish curry eaten in eastern India, Nepal, and Bangladesh
Mango, the national fruit of India, is eaten widely in the summer months.
Sports[edit]
Main article: Sport in India
Several traditional indigenous sports such as kabaddi, kho kho, pehlwani and gilli-danda, and also martial arts, such as Kalarippayattu and marma adi remain popular. Chess is commonly held to have originated in India as chaturaṅga; There has been a rise in the number of Indian grandmasters. Viswanathan Anand became the undisputed Chess World Champion in 2007 and held the status until 2013. Parcheesi is derived from Pachisi another traditional Indian pastime, which in early modern times was played on a giant marble court by Mughal emperor Akbar.
Cricket is the most popular sport in India. India is one of the more successful cricket teams, having won two Cricket World Cups, three T20 World Cups, and three Champions Trophies. India has won a record eight field hockey gold medals in the summer Olympics.
The Indian hockey team, captained by Dhyan Chand (standing second from left), after winning the finals at the 1936 Summer Olympics – their third of six consecutive Olympic golds
Gukesh Dommaraju, the reigning world chess champion, receives India's highest sporting honour, the Dhyan Chand Award from India's president Droupadi Murmu, January 17, 2025.
Indian cricket player Sachin Tendulkar, the highest run-getter in test cricket, playing a defensive stroke against Australia in Bangalore, 2010