Culture
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Symbols[edit]
Main article: Coat of arms of Havana
Coat of arms of La Habana
The coat of arms of Havana consists of three castles that represent the three castles that defended the city: the Fuerza Castle, the Morro Castle and the Punta Castle. The key represents that Havana was the gateway to the New World. The shield, supported by an oak branch on one side and a laurel wreath on the other, symbolizes the strength of the nation, the laurel wreath, honor, and glory. These symbols represent the rights of man.
Architecture[edit]
Plaza del Vapor, Havana, about 1900
Havana has diverse styles of architecture, from castles built in the 16th century, to modernist high-rise buildings.
The present condition of many structures have deteriorated since 1959 or have been demolished, including the demolition of the Plaza del Vapor, built in 1835 by the architect of the Palacio de la Marquesa de Villalba, Eugenio Rayneri Sorrentino, the father of Eugenio Rayneri Piedra the architect of the El Capitolio of 1929. The Plaza del Vapor was demolished in 1959 by the new, revolutionary government. Numerous building collapses throughout the city have resulted in injuries and deaths due to a lack of maintenance.
Spanish[edit]
Castle of la Real Fuerza, 1577
Riches were brought from the Spanish into and through Havana as it was a key transshipment point between the New World and Old World. As a result, Havana was the most heavily fortified city in the Americas. Most examples of early architecture can be seen in military fortifications such as La Fortaleza de San Carlos de la Cabana (1558–1577) designed by Battista Antonelli and the Castillo del Morro (1589–1630). This sits at the entrance of Havana Bay and provides an insight into the supremacy and wealth at that time.
Old Havana was also protected by a defensive wall begun in 1674 but had already overgrown its boundaries when it was completed in 1767, becoming the new neighborhood of Centro Habana. The influence from different styles and cultures can be seen in Havana's Spanish architecture, with a diverse range of Mudéjar architecture, Spanish, Italian, Greek and Roman. The San Carlos and San Ambrosio Seminary (18th century) is a good example of early Spanish influenced architecture. The Havana cathedral (1748–1777) dominating the Plaza de la Catedral (1749) is the best example of Cuban Baroque. Surrounding it are the former palaces of the Count de Casa-Bayona (1720–1746) Marquis de Arcos (1746) and the Marquis de Aguas Claras (1751–1775).
The Iglesia del Espíritu Santo was devoted in 1638. The Espíritu Santo contains some notable paintings including a seated, post-crucifixion Christ on the right wall, and catacombs. It is considered one of the oldest temples in Havana and it is said that its main interest lies essentially in the simplicity of the beautiful stone construction.[citation needed] The church was rebuilt and expanded in 1648 and given the rank of a parish. During the Spanish era it had exceptional importance, since by a Papal Bull of 1772 and a Royal Certificate of 1773, of Charles III of Spain, it was declared "Única Iglesia inmune en esta ciudad, construida en 1855." ("the only immune church in this city, built-in 1855."), which meant that any persecuted individual could find Amparo (sanctuary) in it against the action of the authorities or of justice. A metal plaque at the foot of the bell tower attests to this fact.[citation needed] The Iglesia del Espíritu Santo's greatest interest from an architectural point of view lies in the simplicity of the coral stone construction and the lack of lavish decoration. Other elements of great importance are the funerary crypts that were discovered in 1953. The crypt is from times before the Colón Cemetery (1876) in El Vedado was built.
Iglesia y hospital San Francisco de Paula
The Alameda de Paula was the first promenade in Cuba, designed and constructed in 1776 by Antonio Fernández Trevejo, following the instructions of the Laureano de Torres y Ayala, it was created on the site of the old Rincón refuse dump. It was an embankment with two rows of poplar trees and some benches, it became one of Havana's most important social and cultural spaces, it was the model of the Paseo del Prado designed in 1925. It was given the name Alameda de Paula because of its proximity to the old Hospital and Iglesia of San Francisco de Paula. Between 1803 and 1805 the pavement was tiled, a fountain and stone benches, lampposts and the marble column were added, it qualified as a pleasant entertainment for the residents of the Villa de San Cristóbal, lacking recreational sites at that time. In 1841, the stairs that gave access to the promenade were widened and several lampposts were added. In the year 2000, the Havana promenade was restored and extended until it reached the Iglesia de San Francisco de Paula.
Towards the end of the 17th century, the first stone of what would be the hospital for women and the church of San Francisco de Paula was placed, the buildings were expanded in 1731 with the support and donations from the City Council and orders of the different General Captains in command of the island. In 1776, it was the most important hospital in Havana, there were several generations of famous doctors that trained here. The Presbyter of the Cathedral of Havana, don Nicolás Estévez Borges, in 1664 ordered the construction of a Hospital for Women and an adjoining church devoted to Saint Francis of Paola who was one of the founders of the Roman Catholic Order of the Minims. Both buildings were completely destroyed by a hurricane in 1730 and were rebuilt and enlarged in 1745 in the Baroque style seen today.
Neoclassical[edit]
Neoclassism was introduced into the city in the 1840s, at the time including Gas public lighting in 1848 and the railroad in 1837. In the second half of the 18th century, sugar and coffee production increased rapidly, which became essential in the development of Havana's most prominent architectural style. Many wealthy Habaneros took their inspiration from the French; this can be seen within the interiors of upper-class houses such as the Aldama Palace built in 1844. This is considered the most important neoclassical residential building in Cuba and typifies the design of many houses of this period with portales of neoclassical columns facing open spaces or courtyards.
In 1925 Jean-Claude Nicolas Forestier, the head of urban planning in Paris moved to Havana for five years to collaborate with architects and landscape designers. In the master planning of the city his aim was to create a harmonic balance between the classical built form and the tropical landscape. He embraced and connected the city's road networks while accentuating prominent landmarks. His influence has left a huge mark on Havana although many of his ideas were cut short by the Great Depression in 1929. During the first decades of the 20th century Havana expanded more rapidly than at any time during its history. Great wealth prompted architectural styles to be influenced from abroad. The peak of Neoclassicism came with the construction of the Vedado district (begun in 1859). This area features a number of set back well-proportioned buildings in the Neoclassical style.
Palacio de Villalba, photo of 1898
Built in 1875, in the Reparto de las Las Murallas, (wide strip of land that remained after the city walls were demolished in 1863), it was the work of the architect Eugenio Rayneri y Sorrentino. Around 1880 the mansion was owned by the Count of Casa Moré. The "La Flor de José Murias" tobacco factory was installed in the building. Later, through the exploitation of rents, it became a tenement house. In 1951 some of its spaces were dedicated to housing. On its upper floor, the Spanish Center and the Israeli Center of Cuba had their headquarters.
The palace of the Marquesa de Villalba and the Mercado de Tacón were designed by the Eugenio Rayneri y Sorrentino at almost the same time, 1875 and 1876, respectively, each in a style that accommodated the particular typology (residential and commercial) thus conceiving each work with the formal element accommodating different aesthetic requirements. The property is, after the Aldama Palace, the strongest example of Cuban Neoclassicism. The palace of the Marquesa de Villalba is in the neoclassical style, perhaps only comparable in Havana – according to Alina Castellanos – to the Aldama Palace. But while the latter limits the decoration to the natural slenderness of the colonnade, in the most classical way of the Greek Parthenon, the former uses Roman and Renaissance elaborations, hence, the arcade has been projected on pillars, the building was crowned with a considerable cornice. The neoclassical decoration can also be seen in the window covers, which take alternate forms of a triangular or semicircular pediment, and glass over the door, similar to the Plaza del Vapor.
The Palacio de Aldama is a neoclassical mansion located diagonally opposite to the old Plaza del Vapor (Parque del Curita), and in front of the old Campo de Marte; present day Parque de la Fraternidad, in Havana, Cuba. Built in 1840 by the Dominican architect and engineer Manuel José Carrera, its main facade of columns spans one block on Calle Amistad between Calles Reina and Estrella.
Royal Palm Hotel (Havana), entrance, c. 1930
The Royal Palm Hotel is located on the corner of San Rafael and Industria. It was inaugurated as "Edificio Luis. E. del Valle", in honor of the sugar magnate who owned the building. It was soon sold to Canadian Wilbur E. Todgham, however, who turned it into the famed Royal Palm Hotel. The commercial function of the ground floor has been preserved to date, taking advantage of its excellent location on Boulevard de San Rafael. Taking into account the architectural values of this building and its socio-cultural importance within the urban landscape in which it is located, the building received a major restoration in 2000, with the support of the Provincial Council of Seville, Spain.
Art deco[edit]
Bacardí Building
The Bacardi Building (Edificio Bacardí) is Havana landmark designed by the architects Esteban Rodríguez-Castells and Rafael Fernández Ruenes and completed in 1930. It is located on the corner of Calles Monserrate and San Juan de Dios on a 1,320 sq meter lot in Las Murallas, Old Havana. The building is in the art deco style that was popular internationally in the early decades of the 20th century. The Bacardi Building was designed to be the headquarters for the Bacardi Rum Company; it was nationalized by the Castro government in the early 1960s. In 2001, the building was restored by an Italian construction firm. The interior retains the original decorations in marble and granite. It is regarded as one of the finest Art Deco buildings in Latin America.
López Serrano Building
Designed by the architect Ricardo Mira in 1929, who in 1941 designed La Moderna Poesia bookstore on Obispo Street for the same owner, the López Serrano Building was the tallest residential building in Cuba until the construction of the FOCSA Building in 1956. The construction of the building was promoted by José Antonio López Serrano, a publisher who ran La Moderna Poesía.
Modernism[edit]
Known by buildings of high-quality, modernist architecture transformed much of the city. Examples are the Havana Hilton Hotel of (1958), the Radiocentro CMQ Building of 1955 by Martín Domínguez Esteban architect of the FOCSA Building in 1956, and the Edificio del Seguro Médico, Havana by Antonio Quintana Simonetti.[citation needed]
Hotel Habana Libre is located in the most central corner of Vedado.
Hotel Tryp Habana Libre is one of the larger hotels in Cuba, situated in Vedado, Havana. The hotel has 572 rooms in a 25-floor tower at Calle 23 ("La Rampa") and Calle L. Opened in 1958 as the Habana Hilton, the hotel famously served as the residence of Fidel Castro and other revolutionaries throughout 1959, after their capture of Havana. The Habana Hilton was constructed at a cost of $24 million, under the personal auspices of President Fulgencio Batista. It was built as an investment by the Caja de Retiro y Asistencia Social de los Trabajadores Gastronomicos, the pension plan of the Cuban catering workers' union, with additional financing from the Banco de Fomento Agricola e Industrial de Cuba (BANFAIC). It was operated by the American Hilton Hotels International group and was designed by the well-known Los Angeles architect Welton Becket, who had previously designed the Beverly Hilton for the chain. Becket designed the 27-story Habana Hilton in collaboration with Havana-based architects Lin Arroyo, and Gabriela Menéndez. Arroyo was the Minister of Public Works under Batista. The hotel was constructed by the Frederick Snare Corporation.
The Radiocentro CMQ Building complex is a former radio and television production facility and office building at the intersection of Calle L and La Rampa in El Vedado, Cuba. It was modeled after Raymond Hood's 1933 Rockefeller Center in New York City. With 1,650 seats, the theater first opened on 23 December 1947, under the name Teatro Warner Radiocentro, it was owned by brothers Goar and Abel Mestre. Today the building serves as the headquarters of the Cuban Institute of Radio and Television (ICRT). For the construction of this building, the Havana building authorities granted a permit in 1947 amending the ordinances that were then in effect in El Vedado prohibiting the construction of buildings of more than three storeys. This statute was modified six years later to expand the construction of up to four floors because many planners and owners claimed the need to authorize them to build taller buildings in the area.
Aerial view of the FOCSA building from the west, with the floating corridors, ca. 1958
The FOCSA Building is a residential block in the Vedado neighborhood of Havana, Cuba. It was named after the contracting company Fomento de Obras y Construcciones, Sociedad Anónima, and the architects were Ernesto Gómez Sampera (1921–2004), Mercedes Diaz (his wife), and Martín Domínguez Esteban (1897–1970), who was the architect of the Radiocentro CMQ Building. The structural engineer was Luis Sáenz Duplace, of the firm Sáenz, Cancio & Martín, and professor of engineering at the University of Havana. The civil engineers were Bartolome Bestard and Manuel Padron. Gustavo Becquer and Fernando H. Meneses were the mechanical and electrical engineers, respectively. It is located on a site bordered by Calles 17 and M and Calles 19 and N in the Vedado.
The Edificio Focsa (1956) represents Havana's economic dominance at the time. This 35-story complex was conceived and based on Corbusian ideas of a self-contained city within a city. It contained 400 apartments, garages, a school, a supermarket, and a restaurant on the top floor. This was the tallest high-strength concrete structure in the world at the time (using no steel frame).
Antonio Quintana Simonetti Edificio del Seguro Médico, Havana, 1958
The Edificio del Seguro Médico is a commercial building in El Vedado, Havana. Built between 1955 and 1958, it was designed as a mixed use building for apartments and offices for the headquarters of the National Medical Insurance Company by Antonio Quintana Simonetti.
Cityscape[edit]
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Havana Districts Map
Contemporary Havana can essentially be described as three cities in one: Old Havana, Vedado, and the newer suburban districts. Old Havana, with its narrow streets and overhanging balconies, is the traditional center of part of Havana's commerce, industry, and entertainment, as well as being a residential area.
To the west a newer section, centered on the uptown area known as Vedado, has become the rival of Old Havana for commercial activity and nightlife. The Capitolio Nacional building marks the beginning of Centro Habana, a working-class neighborhood that lies between Vedado and Old Havana. Barrio Chino and the Real Fabrica de Tabacos Partagás, one of Cuba's oldest cigar factories is located in the area.
A third Havana is that of the more affluent residential and industrial districts that spread out mostly to the west. Among these is Marianao, one of the newer parts of the city, dating mainly from the 1920s. Some of the suburban exclusivity was lost after the revolution, many of the suburban homes having been nationalized by the Cuban government to serve as schools, hospitals, and government offices. Several private country clubs were converted to public recreational centers. Miramar, located west of Vedado along the coast, remains Havana's exclusive area; mansions, foreign embassies, diplomatic residences, upscale shops, and facilities for wealthy foreigners are common in the area. The International School of Havana is located in the Miramar neighborhood.
In the 1980s many parts of Old Havana, including the Plaza de Armas, became part of a projected 35-year multimillion-dollar restoration project, for Cubans to appreciate their past and boost tourism. In the past ten years[which?], with the assistance of foreign aid and under the support of local city historian Eusebio Leal Spengler, large parts of Habana Vieja have been renovated. The city is moving forward with their renovations, with most of the major plazas (Plaza Vieja, Plaza de la Catedral, Plaza de San Francisco and Plaza de Armas) and major tourist streets (Obispo and Mercaderes) near completion.
Visual arts[edit]
See also: Watson and the Shark
Museo Nacional de Bellas Artes, photo of 1927
The Museo Nacional de Bellas Artes de La Habana is a Fine Arts museum that exhibits Cuban and international art. The museum houses one of the largest collections of paintings and sculpture from Latin America and is the largest in the Caribbean region. Under the Cuban Ministry of Culture, it occupies two locations in the vicinity of Havana's Paseo del Prado, these are the Palace of Fine Arts, devoted to Cuban art and the Palace of the Asturian Center, dedicated to universal art. Its artistic heritage is made up of over 45,000 pieces. Since 1995 the capital hosts the headquarters of the Ludwig Foundation of Cuba in Vedado, founded by the German collectors Peter and Irene Ludwig, it is a non-governmental and non-profit organization for the dissemination and protection of Cuban art.
Notable artists associated with the city include Federico Beltrán Masses, Víctor Manuel García Valdés, and Wifredo Lam.
Performing arts[edit]
Ballet Nacional de Cuba performing at the Gran Teatro de La Habana
Facing Havana's Central Park is the baroque Gran Teatro de La Habana, a prominent theater built in 1837. It is now home of the National Ballet of Cuba and the International Ballet Festival of Havana, one of the oldest in the New World. The façade of the building is adorned with a stone and marble statue. There are also sculptural pieces by Giuseppe Moretti, representing allegories depicting benevolence, education, music and theater. The principal theater is the García Lorca Auditorium, with seats for 1,500 and balconies. Glories of its rich history; the Italian tenor Enrico Caruso sang, the Russian ballerina Anna Pavlova danced, and the French Sarah Bernhardt acted.
Alicia Alonso was a Cuban prima ballerina assoluta and choreographer whose company became the Ballet Nacional de Cuba in 1955. Alonso was born "on the outskirts" of Havana in 1920 She is best known for her portrayals of Giselle and the ballet version of Carmen.
Radio and television[edit]
CMQ[edit]
Main article: CMQ (Cuba)
Radiocentro CMQ Building, Havana
CMQ was a Cuban radio and television station located in Havana, Cuba, reaching an audience in the 1940s and 1950s, attracting viewers and listeners with a program that ranged from music and news dissemination. It later expanded into radio and television networks. As a radio network it was a heated competitor of the RHC-Cadena Azul network.
The company was founded on March 12, 1933, by Miguel Gabriel and Ángel Cambó. Ten years later, on August 1, 1943, half of it was acquired by the business group of Goar Mestre. In the beginning, it transmitted only in the capital expanding later to the rest of the country.
Pre-revolutionary Cuba was an early adopter of new technology, including TV. Cuba was the first Latin American country to have television. In December 1946 station CM-21P conducted an experimental multi-point live broadcast.
Regular commercial broadcasting began in October 1950 with Gaspar Pumarejo's Unión Radio TV. This was followed by Goar Mestre Espinosa's CMQ-TV on channel 6 on 18 December 1950. CMQ officially launched on 11 March 1951, and would become an NBC affiliate. By 1954, CMQ-TV had expanded into a seven station network. With the CMQ network, Cuba was the second country in the world, only after the United States, to have a national TV network.
At the beginning of the 1950s with the transmission of the novel El Derecho de Nacer, by Felix B. Caignet, displaced the competing station, RHC Cadena Azul. It is with this leadership that the second Cuban television channel, CMQ TV, Channel 6 is born. It was initially located on Calle Monte, on the corner of Paseo del Prado. On 12 March 1948, the radio studio was moved to the Radiocentro building in La Rampa and Calle L in El Vedado.[citation needed]
Festivals[edit]
Further information: Festivals in Havana
Film Festival[edit]
Main article: Havana Film Festival
The Havana Film Festival is a Cuban festival that focuses on the promotion of Latin American filmmakers. It is also known in Spanish as Festival Internacional del Nuevo Cine Latinoamericano de La Habana, and in English as International Festival of New Latin American Cinema of Havana. It takes place every year during December in the city of Havana, Cuba.
The inaugural International Festival of New Latin American Cinema was held on 3 December 1979, and more than 600 film directors of Latin America responded to the first call made by the Cuban Institute of the Cinematographic Art and Industry (ICAIC). Its founders the included President of ICAIC, Alfredo Guevara, and the filmmakers Julio García Espinosa and Pastor Vega.
As expressed in its founding convocation, the festival aimed to "promote the regular meeting of Latin American filmmakers who with their work enrich the artistic culture of our countries (…); ensure the joint presentation of fiction films, documentaries, cartoons and current events (…), and contribute to the international diffusion and circulation of the main and most significant productions of our cinematographies".
In 2013 the Havana Film Festival announced that it was reappointing Iván Giroud as its president. Giroud had previously served as president from 1994 to 2010.